Have you always been interested in art?
Ariella: I was always busy making things as a child but didn’t really have a serious interest in art until adulthood.
Joi: Yeah, drawing is one of my earliest memories. I didn’t know it was art though. I didn’t know much about art, artists or the art world till I was in my late teens. I often wish it remained that way as outside influence can be a pain in the ass.
Marnie: I’ve always been creative and interested in art but I only started pursuing Fine Art seriously after completing a Master of Art, as a mature aged student. I previously had a career in Graphic Design.
Do you have an alter ego or do you moonlight as anything other than an artist?
Ariella: I am officially a full time artist these days. I balance this with being a mum to two young kids.
Joi: A studious geek, who on average only ventures out of her home once every two weeks.
Marnie: I am a mum and I do the occasional Design job. I also run Little Things Art Prize which focuses on artists expressing gratitude and the little things that bring them joy.
What inspires your work?
Ariella: Anything from looking at the colours in the sky, to Instagram (is that bad?), to other amazing artists and creatives.
Joi: Human Beings and Music (both deserve capitalisation, one is definitely a lot more fun).
Marnie: My work is inspired by tiny details found in nature and evolving shadow patterns created by light, time and movement. Printmaking processes also have a strong influence on my painting techniques encouraging layering and activation of the surface.
Describe your artistic style in one sentence.
Ariella: Colourful, abstract expanded paintings that explore the relationships between found materials, paint and architectural spaces.
Joi: My style was in a marching band for 5 years, with white boots and a bright orange hat, played a snare drum but started out with the tambourine.
Marnie: Abstract compositions layered with vividly coloured organic shapes floating on a base of raw linen or wood.
All artists are storytellers, what story are you trying to communicate through your practice?
Ariella: I am interested in the dualities of the natural and human- how we value everyday materials and how consumerism is destroying the planet.
Joi: The rare moments when I see things as they are. And by sharing it, I may catch someone at the very moment they've seen the same thing. I feel more connected to all of the things that way.
Marnie: Although I have a clear concept in mind when creating the work I am very happy for the art to speak for itself, allowing the viewer to interpret the abstract work as it relates to them.
What is the favourite part or stage of your practice?
Ariella: I really love the initial ideas phase- researching, thinking, dreaming… I’ve always loved how you can think about something and then bring it to life with your own hands. I am learning that making mistakes is actually a really important part of the creative process- something you can’t control but ends up enhancing the work somehow.
Joi: All of it, I often play loud music and feel I’m at the best party ever when I’m painting or drawing. Even applying gesso to a canvas has its part in the party. I’ve been looking up battery operated disco balls on eBay, unsure how well they work during the day though.
Marnie: My favourite stage is when I am fully immersed in the process and able to experience ‘Flow' which positive psychologist describe as a “complete absorption in what one does and loses sense of space and time.”
Joi, Ariella & Marnie will be exhibiting at VANDAL Gallery 16-30 Vine Street Redfern from the 30th of June.
Current Exhibition: ‘Alchemical Spills’ by Tamara Mendels
Past Exhibitions: ‘Icon’ by Alun Rhys-Jones, ‘Rainbow Warriors’ by Sarah Beetson
Opening night for Tamara Mendels ‘Alchemical Spills’ exhibition at V∆ND∆L Gallery attracted a diverse crowd of artists, media and creative industry patrons from the local precinct and broader Sydney city. In collaboration with Vandal, exhibited eleven artworks in total from Mendels’ new collection. Created from acrylic, epoxy resin and pigment on canvas, the works included four with tactile and protruding features.
Mendels was quite pleased with the attendance for the exhibition, although mentioning, “[at least] 20% of the crowd were some of my friends [who came to lend support]!”.
All White Ceremony (2017) a large canvas painting made from acrylic, epoxy resin and enamel will have a new wall to hang on in a couple of weeks, as it was sold just prior to the official opening of the exhibition. As early as her third year of art school, Mendels has been selling her works -0 so it’s not surprising this work was snapped up so quickly. However, it continues to receive an impressive amount of attention.
“My process is quite thrilling, I have only a few minutes to make my marking with almost no room for adjustment as the painting is decided in minutes…”
Read our interview with Mendels here
Stay tuned for announcements regarding next month's Vandal exhibition!
Contact us here for purchase enquiries
Have you always wanted to be an artist?
I always knew that I would do something creative. It wasn’t till I went to art school that I began to study other artists and take painting seriously. When I started selling artwork in my third year, I knew that making paintings could be a real possibility as a career path and it felt really encouraging that people responded to my art in a positive way.
How would you describe your artworks? Are there any particular themes you have in mind when you're working?
I am creating non-objective markings by pouring resin onto a pre-painted canvas. Some of my pours are loose and uninhibited, violent spills produced out of a rhythmical physical act. Other pours are carefully predetermined as I rehearse the physical act of the marking to play it out like a performance on the canvas. I am always trying to create a marking that is completely new and to do this I try to get to a place of stillness within my mind. My process is quite thrilling, I have only a few minutes to make my marking with almost no room for adjustment as the painting is decided in minutes, its those few intense minutes that keep me coming back to my practice again and again excited for what I might do next.
In addition to being an artist, you are also a curator. Which came first? Has one influenced the other?
I started helping to curate art shows during art school in order to exhibit my own work alongside my contemporaries. With fellow artists Nicholas Pike, Israel Adams, Conrad Ross-Smith, and Sardar Sinjawi we became a small group of artists exhibiting together in artist run spaces in Sydney. In 2009 Nicholas Pike and I moved to New York where we started The Jon Frum Art Foundation, a gallery focussed on exhibiting Australian emerging art to international audiences. With countless exhibitions and participations in art walks and art fairs, we moved to Los Angeles and continued the gallery in downtown LA. We returned to Sydney and started the first “20/20 art shows” 20 art shows in 20 days, held at the Damien Minton Annex space (2011 and 2012). Curating shows has always been something I do in conjunction with my art practice and with other artists working and playing through ideas together.
You have worked and exhibited all over the world. Is there one city in particular that you enjoy working in?
I have loved showing work in New York, the enthusiasm of art audiences is so encouraging. There are so many people engaged and interested in art, there seems to be an openness where people see that your doing something interesting and they want to be a part of it, we had many artists and writers offering their time to assist for free just to experience something cool. Some of my best paintings came out of a tent inside our loft in Brooklyn, I could barley make more than two works at a time inside a completely air tight dust free tent, my studio was a space in side a space, the limitations of this space saw fewer works being made but I loved those pieces. I loved L.A for the same reasons, L.A was more like Sydney so I felt a sense of familiarity, with great beaches and warm climate, I could live there again if the opportunity presented itself.
Are there any other artists or creatives that you are inspired by?
I am inspired by artists all the time, I feel such excitement when a piece of art moves me to feel a sense of wonderment, this happens when I feel encapsulated and entranced by the work stunned in amazement. My earlier influences came from the Lyrical and Abstract Expressionists such as Sam Francis, Robert Motherwell, Franz Kline and Morris Lewis. A handful of my contemporary influences are artists whose works seem to transport me to another dimension such as; Dan Colan, Stearling Ruby, Dale Frank, Katarina Grosse, Markus Linnenbrink, Jonathan Lasker, Gerhard Richter (abstracts) and Anselm Kieffer.
To see Tamara's exhibition, visit V∆ND∆L Gallery at 16-30 Vine St, Redfern from 8th June - 26th June, open Mon-Fri 10am-5pm
Exhibiting: 30 May – 5 June 2017
For an excitingly brief interlude, Vandal Gallery will be host to the RCM Collective’s kinetic sculptures, The Bottles (2015).
The Bottles by RCM Collective is a kinetic posse of enlarged squeegees. Showing at Vandal are two pieces from a series of seven, first exhibited at Sculpture by the Sea Bondi, in 2015.
With a spin on the quintessential Spray and Wipe product, the bottle forms are dubbed with life-like qualities. Designed and sculpted by hand, The Bottles hold anamorphic shape, with figurative proportions and a sympathetic inclination of the bust and nozzle.
At Bondi, each animated character was built to spit; with a manual push of their red triggers misty sprays and fountain-like squirts are released from the nozzles.
The work was inspired by a photographic series by one of RCM’s members Megan Hales, which involved portraits of commercial cleaning agents from supermarket shelves.
RCM is a collective of three Melbourne and Sydney-based artists: Corey Thomas, Roger Mitchell and Megan Hales. With diverse backgrounds in public sculpture, painting and film, RCM’s members are involved in multiple avenues of the arts and have exhibited nation-wide.
THE BOTTLES (2015) by RCM Collective. fibreglass, steel armature, automotive paint, water/pump system
16-30 vine st redfern
Muralist, illustrator, animator and narrator, Akisiew (AKA Kim Siew) is a rising Sydney artist who creates works that aim to 'tell stories'. Exhibiting her work on and off the streets since 2010, Akisiew has immersed herself in both curatorial and art making work. This week she is taking part in Other Worlds Zine Fair 2017...Read More
On Thursday night we (literally!) rolled out the red carpet for a buzzing crowd of art lovers, advertising heavyweights, and everyone in between to celebrate our newest exhibition at VANDAL Gallery! After the launch of our first permanent, physical gallery space last month we were very excited to welcome Sydney-based artist Alun Rhys Jones presenting his new exhibition, entitled ICON.Read More
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Art Pharmacy Consulting worked with Deloitte to curate the ‘Playing with Perspectives: New views from emerging artist’ exhibition. We worked with 20 artists to gather and commission over 70 works that have adorned Deloitte space in Grosvenor Place, Circular Quay for 3 months, from 26th of April to the 29th of July 2016. Throughout the duration of the show prominent emerging artists’ works are on display for Deloitte’s 3000+ staff and their guests throughout the meeting and reception area of the office.Read More